My wife’s Baume et Mercier wrist watch before and after cleaning up the many scratches and replacing the bitten out chunks. Incredible what becomes visible in a close up.
One light setup, focus stacking for a 15 image composite following a tutorial of Max Bridge.
Schlagzeuger Marcel Kawentel. Beruflich auch Kawentel der Drehbuchautoren Kawentel & Lombeck. Mit Dank an Sohn Luis, der assistierte.
“If everything seems under control, you’re not going fast enough” (M. Andretti).
Der nächste Sprung endete vorm Baum und ich war – einmal mehr – froh, dass Heike dabei war.
Rocket fuel concept with background image by NASA via https://unsplash.com/photos/dCgbRAQmTQA
Obwohl es zwei Tage vor heilig Abend war und somit die engste Zeit des Jahres, nahm Maître Chocolatier Markus Podzimek vom Naschwerk sich spontan Zeit, mir die besten Stücke herauszusuchen. “Boom!” wurde sogar eigens in die Produktion geschoben. – Vielen Dank!
Besuch im Siegener Keramikstudio von Beate Weiß (http://www.weiss-keramik.de/).
Deutsche Meisterin und Weltmeisterin im Ju Jutsu aus Siegen. Weltklasse-Athletin und -Mensch.
Das Geschenk eines Eichhörnchens wuchs zu nah am Haus und der Baum musste weg.
Dokumentation der jährlichen Adventsausstellung bei Linh Duong Blumenkunst in Siegen.
Making of:
Chinesisches Küchenmesser des vietnamesischen Herstellers Dao Vua, der die Messer aus alten LKW-Federn fertigt. Trotz der Ähnlichkeit mit einem Fleischerbeil ein sehr filigranes Werkzeug.
Mit vielem Dank an Markus Boßlet, Küchenchef und Inhabe des Restaurant Bar in Siegen, der sich so großzügig Zeit nahm und Jakobsmuscheln “Ras El Hanout” und ein herbstliches Calamari-Risotto für mich kochte.
Einladung zur Adventsausstellung von Linh Duong in Siegen. Photographie, Gestaltung und Druck der Postkarten.
Zu Besuch in der Siegener Kaffeerösterei Pagnia.
Zu Gast in der Geigenbauwerkstatt des Siegener Geigenbaumeisters Clas Reimers.
Today I received TRAUMA, a beautiful and very personal gift from Austrian painter Christian Bazant-Hegemark, for which I am deeply grateful. The volume spans fifteen years and tells the story of searching for a visual language dealing with trauma.
I was surprised how many of the paintings and drawings I still knew from my time in Vienna, some of which even appear in portraits I took in 2013.
Im Herbst 2014 hatten Julia und ich das große Glück, am Dachstein ein Retreat mit Coach und Trainer Hans-Peter Beingrübl von Pushkar Nature verbringen zu können. Sein großes Wissen und seine reiche Erfahrung ruht in seiner allgemeinen Entspanntheit, so dass sich in einem wirklich angenehmen Rahmen ein paar erstaunliche Dinge in Gang setzten.
Nach einer Nacht im Freien ohne Zelt und einer von Apfelstrudel und Freundlichkeit geprägten Nacht auf der Gjaid bei Isi, Hannes und Indra, einer Tour fast auf den Gjaidstein, viel Nebel, einem weiten Blick vom Zwölferkogel und vor der Kulisse des wunderschönen Dachsteingipfels reiften weitreichende Entscheidungen. Und als wir wieder hervorkamen aus dem Gebirgsnebel stand am Ende der Satz »Ich kündige!«.
Am Samstag, 28. April 2020 spielte Jördis Tielsch gemeinsam mit Peter Schneider ein Benefizkonzert im Kulturhaus Lÿz.
Möglich wurde die Veranstaltung trotz Corona dank des virtuellen Hutes – einer Initiative, die zusammen mit dem Kulturbüro des Kreises Siegen-Wittgenstein lokale Künstler und Kulturschaffende unterstützt und in Zeiten des Kontaktverbots heimische Kultur in die Siegerländer Wohnzimmer bringt.
Academic publishing can sometimes be pretty much of a one way radio: You’re broadcasting but you never know whether or not someone is receiving – and if someone is receiving, what they make of it.
So I am happy that Dr Dominik Zink of the University of Trier took the time to read and kindly review my PhD Thesis in The Year’s Work in Modern Language Studies 79 (2019) 1, p 555 (published online on 28 March 2019 at https://brill.com/view/journals/ywml/79/1/article-p555_41.xml).
My NextGen gallery kept vanishing on my WordPress frontpage. It did not show as long as the page was set to front page, as soon as I picked a different front page, the images reappeared. Even when I changed the theme, the gallery disappeared.
In a possible world I would live in the old family farm by the forest. I’d have a wood fired oven, plenty of vegetables and fruit from the garden and more space in- and outside the house than I could possibly fill. I would eat my home baked bread for breakfast in the old chicken yard while enjoying the most stunning view over the Weser-valley.
I’d also have had an idea why I would and could live in the sticks, I’d have had another idea that would fill ex-barn and ex-stable with something sensible – preferably something sensible and income-generating so it would provide me with yet another idea on how to pay for maintenance of the gigantic roof.
While some of the boxes have been upgraded to a non-box shape with huge screen and WiFi, many are in a sad state and some even stripped of their primary function. The variety of shapes and types of boxes and telephones even in a single country is astonishing and even the gutted ones continue to serve as advertising space, rain shelters, smoking rooms and toilets for dogs and humans alike.
Toilets, Camping »La Pinède, Calvi (Corsica), May 2017
Brother and sister, Calvi (Corsica), May 2017
Universal Plug and Play (UpnP) is developed by the Digital Living Network Alliance (DLNA) and has interoperateability in mind. See Make Use Of for a list of possibilities.
Client: pick one from http://www.subsonic.org/pages/apps.jsp. VLC also works as a client, see https://askubuntu.com/a/109083/80611
I use play:Sub, another $5
I also tried Gerbera
Easy, cheap, but flawed.
Hat tip: Lifewire
Interestingly it was easier to setup video streaming than audio (use vlcstreamer, see upubuntu).
After several applications and interviews in Vienna, Walferdange, Berlin and Munich I settled on Munich. So in June 2012 I began writing properly while commuting from Vienna to Munich every other week. My »office« was in the Arbeiterkammer library and the Ludwig-Wittgenstein-Lesesaal in the Austrian National library.
In October 2015 I was ready and submitted the thesis.
You should think there is a sensation of great relief when you finally hand the work of three plus years over to the officer, but somehow there wasn’t. My defense was going to be in February 2016, so I started preparing the three talks I had to give straight away.
Now, with the defense out of the way, there still was no sense of accomplishment, because you have to publish in order to close the process. So off we go to finding a publisher, setting up the text according to the publisher’s style guides, resetting tables and trees because they don’t fit on the smaller pages any more, brainstorming a cover image with Marianne Vlaschits, test printing and changing the cover three dozen times because the digital printer does not approve of the background color. Then seeing the table of contents in a friend’s brand new book and going back to my own because I absolutely wanted one like it. And on and on.
In the end, thanks to the knowledge, understanding and patience of the good people at UniPrint Siegen, there is a finished product that does make me happy – but still fails to deliver the wash of relief. Because now five books have to get to Munich university library, where the people are not happy. My books lack the title page the faculty requires. When that is adressed, I get told to contact the officer who received the first version in 2015 again in four to eight weeks for the certificate. Which I recieved two weeks ago. The End.
Here it is:
Jan Söhlke: »verderben, verführen, verwüsten, bestechen«. Literatur und Korruption um 1800. Siegen 2017, 284 pages.
ISBN: 978-3-936533-81-1
For EUR 12.80 you can order the book at universi (Siegen University Press), you can download it from OPUS (Siegen university’s open access) for free or get it from the source while you’re here.
The back cover reads
Der von Max Weber für die Zeit um 1800 diagnostizierte Übergang von einem patrimonialen zu einem bürokratischen Herrschaftssystem ist mit Roger Callois zugleich faßbar als Wechsel vom aleatorischen zum agônalen Prinzip. Unter dem Vorzeichen der Korruption wird jener Übergang beschreibbar als Wandel von einem Paradigma der Kriecherei hin zu einem der Bestechung.
Diese bisher kaum eingenommene Perspektive ermöglicht es, die sich wechselseitig bedingenden und durchdringenden moralischen, politischen, juristischen und ökonomischen Implikationen der Modernisierung freizulegen. Eine umfassende begriffsgeschichtliche Analyse der semantischen, historischen und sozialen Verfasstheit von »Korruption« bildet die Grundlage für Lektüren von Lessings Minna von Barnhelm, Kleists Der zerbrochne Krug und Schillers Der Geisterseher. Drei kanonische Texte werden so in einer überraschenden Konstellation neu lesbar – und lassen ihrerseits unser Verständnis von Korruption in einem neuen Zwielicht erscheinen.
sudo apt-get install sqlitebrowsercd ~/.local/share/data/Mendeley\ Ltd./Mendeley\ Desktop/sqlitebrowser <you@whatever>@www.mendeley.com.sqliteupdate Files set localUrl = replace(localUrl, 'file:///old/path/‘, 'file:///media/new/path/‘);
Thanks to 3.14a and jordi’s comment there. For related Mendeley grievances see khufkens, who can tell you how to sync Mendeley to your own server (instead of feeding Elsevier’s questionable pricing model).
Anyway, the whole setup was a true Linux afternoon, reminding me of my NDISwrapper-days, just like it was 2006 again.
First, It took me a while to get crunchbang to discover the device and connect [1] (Blueman works much better as a bluetooth manager). Then apparently I manually needed to let pulseaudio know where to send the audio [2]. Atfer fiddling with some files, pulseaudio was broken, so I needed to reinstall [3]. Finally, the sound was much poorer than via my phone. I don’t know if I overlooked it or if loading rtirq changed something [4], but in the volume control center of pulseaudio there is a tab called »configuration« where I had to choose »High Fidelity Playback (A2DP)« to get decent sound (instead of »Telephony Duplex (HSP/HFP)« or »off«). Now most of the times it changes to the Bluetooth-device automatically once I switch it on and back when I switch it off. Sometimes not. But hey.
The sources I used were these:
KUNSTFORUM International 230 (2014), p 127.
A short while after my last portrait session with Marianne Vlaschits, KUNSTFORUM International did an interview with her and two fellow artists and she asked if it was ok to use one of my portraits to go with the interview.
One of my pictures published in KUNSTFORUM? Just what I needed to conclude the year.
Unfortunately photo credits were mistakenly omitted, which means that my first KUNSTFORUM publication is anonymous. But in the end this infringement also meant another four malnourished children treated or material for the safe birth of 10 babies or 250 people vaccinated against meningitis or 400 children vaccinated against Measles in the second installment of »Infringing for Médecins Sans Frontières«.
If you, too, want to make a donation, you can do so here.
When asked whether he wrote on a schedule or only when struck by inspiration, Somerset Maugham allegedly replied:
I write only when inspiration strikes.
Fortunately it strikes every morning at nine o’clock sharp.
»It’s the 499 birds before the 1 that works.« (Alexia Sinclair/via)
or, in the words of Jacob Riis:
When nothing seems to help, I go look at a stonecutter hammering away at his rock perhaps a hundred times without as much as a crack showing in it. Yet at the hundred and first blow it will split in two, and I know it was not that blow that did it, but all that had gone before. (via)
I did not have my gear with me and there only was an hour left in between the idea to go for the shoot and me having to be through the door for the train station, so in order to put the opportunity to good use we had to move fast and I had to borrow Marlene’s old Canon. Of course time was even scarcer after the usual displacement of furniture had taken place, and the combination of time pressure, borrowed equipment and a different camera maker resulted in a couple of technical blunders on my part, but we all had a fun time and in the end were pretty pleased with the results.
Das im Februar beschlossene Gesetz gegen Abgeordnetenbestechung ist weitgehend wirkungslos. Ein Staatsanwalt muss nämlich nachweisen, dass ein korrupter Volksvertreter »im Auftrag oder auf Weisung« gehandelt hat. Wer sich nicht allzu dumm anstellt, hat strafrechtlich nichts zu befürchten.
The law against bribing of MPs is mostly useless as prosecution has to prove that a corrupt representative has been »either instructed or ordered« to act in a certain way. For the slightest chance of criminal liability under the new law, a parliamentarian would need to act in a pretty stupid way.
abgeordnetenwatch.de: Bundestag ratifiziert UNCAC – nach 11 Jahren (29. September 2014)
Some background can be found in my earlier post »Bribing MPs soon illegal in Germany«.
