Die Künstlerinnen und Künstler standen kurz vor dem unfreiwilligen Auszug aus Ihren Wohnungen und Studios in der Wiener Cumberlandstraße, als
KUNSTFORUM International 230 (2014), p 127.
A short while after my last portrait session with Marianne Vlaschits, KUNSTFORUM International did an interview with her and two fellow artists and she asked if it was ok to use one of my portraits to go with the interview.
One of my pictures published in KUNSTFORUM? Just what I needed to conclude the year.
Unfortunately photo credits were mistakenly omitted, which means that my first KUNSTFORUM publication is anonymous. But in the end this infringement also meant another four malnourished children treated or material for the safe birth of 10 babies or 250 people vaccinated against meningitis or 400 children vaccinated against Measles in the second installment of »Infringing for Médecins Sans Frontières«.
If you, too, want to make a donation, you can do so here.
Last year in March I shot a portrait of Marianne Vlaschits for »Project 12 pt. II«, so we thought we’d do another one for the first anniversary. My original plan was to recreate her neon-pictures from the Blue Crystal Fire-series (see here), but what can I say? I completely and utterly failed. From white cardboard and stuff lying around on location I built what I deemed to be perfect neon light replacements, yet the effect was completely different at best and not at all visible most of the time.
Once again I learned that photography sometimes is like cooking: when you want to try something exciting for the first time, don’t do it in the presence of important guests. But I also learned that in Marianne’s presence, failing means that in the end it still is going to be an awesome afternoon resulting in pictures we both like – good to work with a professional. And just like Beckett writes: »Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.«
I am also happy about the three derivative works that came from the shoot: a portrait of the photographer by Marianne (seen in pictures 4 + 5); a Feiyue »Vlaschits Edition« by me (from slipping on paint) and »Painting the Artist« by Hyo Lee.
And despite my clumsiness (that not only led to Feiyue »Vlaschits« but also saw a falling SB 800 just miss Marianne’s head), the Comme des Garçons-robe Marianne’s neighbour and fashion designer Thomas van der Jeught gave us in his infinite trust stayed clean.
Next Monday (23.6.2014) at the Archiv für Gegenwart (Mühlfeldgasse 5, 1020 Wien) you have the opportunity to see Marianne Vlaschits – who by the way is also responsible for the highly acclaimed cover art of Hercules and Love Affair’s latest album The Feast of the Broken Heart.