A speedlight, a Naked Bike, and a Currywurst Walk into a Wind Tunnel
A chance encounter in a lunch queue leads to a technical photography session at the University of Siegen’s wind tunnel, documen...
I specialise in photographing scientific research and industrial operations – and the people who run them. My photography covers laboratories, cleanrooms, and research institutions, R&D environments, factory floors and production sites: environments that are both technically complex and operationally demanding. As staff photographer and scientific coordinator at ZESS/University of Siegen, I am embedded in DFG-funded research on sensor systems and machine learning – and as such have a familiarity with exactly the types of environments I photograph for others. That shapes what is possible before the shoot begins.
Knowing the type of environment is half the preparation: it means knowing what to ask in advance, which conditions to prepare for, where constraints might come from, and whom to find before the shoot rather than during it. It also minimises the production footprint, the time spent on location goes directly towards the images, and when the groundwork is in place, there is room for the shot no brief could anticipate because it only happens when everything else is already solved.
As a scientific and industrial photographer, my commissions are predominantly in research facilities, industrial operations, and corporate environments. And yet interesting work comes in unexpected forms – hence I occasionally take on projects outside those areas, if they bring their own visual dynamic and something worth exploring conceptually. My range and curiosity are built on a PhD from LMU Munich, a decade heading communications across research, business, and startup environments, and more productions than I can count where the brief was vague, the access was limited, and the expectations were complex. That is how I know: getting the shot is not merely about the equipment; it is about alignment built through the right conversation – from the lab across the boardroom to the loading dock.
A chance encounter in a lunch queue leads to a technical photography session at the University of Siegen’s wind tunnel, documen...
Discover how technical precision, compositing, and strategic consultancy created impactful campaign imagery in the 2025 elections.
Portraits of Joy Wangechi Muriithi and Stella Kemboi during their CARS research stay, documenting the international collaborati...
Photographing a Fourier Ptychographic Microscopy Setup: An exploration of conflicting spatial demands and the interdisciplinary...
Exploring the intersection of high-level research and visual strategy: Dr. Jan Söhlke captures Europe's unique PVD system, focu...
A look at the researcher behind the CARS instrumentation. A study of focus and professional trust in science photography at ZES...
A photographical look at capturing nonlinear four-wave mixing and the precision of optical delay lines in a CARS laser setup.
Explore how a strategic approach to photography elevated the brand identity for coaching agency Sunny Monday – from location sc...
A foggy morning session with pioneer of colour photography and former president of the Academy of fine Arts Leipzig, Joachim Br...
You are looking for a photographer who will strengthen your visual identity or you have an industrial, academic, or corporate photography project in mind you’d like to discuss? Get in touch, and we’ll make it happen:
I shoot on location in labs, factories, and research facilities, working with genuine curiosity for the processes and the people running them.
With more than a decade of experience in industrial, science, and corporate photography, I bring a genuine understanding of the world I shoot in – earned through completing a PhD and years heading communications across research, business, and startup environments.
What I enjoy about product photography is that through spending time with an object that otherwise gets overlooked as a mere utility, beauty can be found in unexpected places.
Making the extraordinary within the ordinary visible for others always is a very exciting process.
In the words of Arnold Newman, Portrait photography is 10% inspiration and 90% moving furniture.
It never ceases to amaze me how, by creating a carefully designed context for the subject (or: by moving some furniture around), photography can condense the many facets of a personality into a single image.
Industrial, scientific, and corporate photographer. Based in Telgte near Münster, within close reach of Osnabrück, Bielefeld, and the Ruhr area. Staff photographer at ZESS/University of Siegen. Working for research institutions, universities, and business clients across NRW and beyond.
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