We’re down to the last match now, so before it goes I wanted to preserve some of the match-box-glory in photographic form.
I used my tilt-shit lens for this, hence the angled plane of focus.We’re down to the last match now, so before it goes I wanted to preserve some of the match-box-glory in photographic form.
I used my tilt-shit lens for this, hence the angled plane of focus.I shoot on location in labs, factories, and research facilities, working with genuine curiosity for the processes and the people running them.
With more than a decade of experience in industrial, science, and corporate photography, I also bring an understanding of the world I shoot in to every assignment – earned through completing a PhD and years heading communications across research, business, and startup environments.
What I enjoy about product photography is that through spending time with an object that otherwise gets overlooked as a mere utility, beauty can be found in unexpected places.
Making the extraordinary within the ordinary visible for others always is a very exciting process.
In the words of Arnold Newman, Portrait photography is 10% inspiration and 90% moving furniture.
It never ceases to amaze me how, by moving some furniture around and thus creating a carefully designed context for the subject, photography can condense the many facets of a personality into a still image.
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