Christian Bazant Hegemark in his Studio
It took a wedding to lure us back to vienna after eight years of absence. Christian’s hospitality was overwhelming and the fun it is to take his portrait didn’t change either.
It took a wedding to lure us back to vienna after eight years of absence. Christian’s hospitality was overwhelming and the fun it is to take his portrait didn’t change either.
Today I received TRAUMA, a beautiful and very personal gift from Austrian painter Christian Bazant-Hegemark, for which I am deeply grateful. The volume spans fifteen years and tells the story of searching for a visual language dealing with trauma.
I was surprised how many of the paintings and drawings I still knew from my time in Vienna, some of which even appear in portraits I took in 2013.
So in a way it also is a very personal book for me which beautifully reminds me of the story I share with Christian, starting in 2008.
Thank you!
A week or so ago Christian Bazant-Hegemark said he had an idea for a picture involving himself, a children’s trike and one of his paintings. Was I interested in helping him shoot it? Of course I was – he is very easy in front of my camera and I knew it was going to be fun.
He wanted to combine a photo of himself with a painting he is currently working on. The painting shows a boy on a children’s tricycle and my job was to place Christian so that his position would resemble the trike-boy’s as much as possible and at the same time keep the background relatively easy to edit out.
In the words of Douglas Reynholm: I am no Truman Capote when it comes to Photoshop and I am excited about what Christian is going to do with it, but what I pictured while shooting was something like this:
It goes without saying that Christian riding an imaginary tricycle whilst resting his feet on a broom and sitting on a bar stool that was itself placed on a table was also calling for a more serious portrait.
With more than a decade of experience, I strengthen the visual identity of my clients through industrial, academic, and corporate photography.
I also headed communications departments in both the corporate and the academic world and this background enables me to get you the visuals you need – every time!
What I enjoy about product photography is that through spending time with an object that otherwise gets overlooked as a mere utility, beauty can be found in unexpected places.
Making the extraordinary within the ordinary visible for others always is a very exciting process.
In the words of Arnold Newman, Portrait photography is 10% inspiration and 90% moving furniture.
It never seizes to amaze me how, by moving some furniture around and thus creating a carefully designed context for the subject, photography can condense the many facets of a personality into a still image.
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